In Critical Role, the legends of Vox Machina travel far and wide… But which ones are just colorful flights of fancy, and which are actually true? Gather ’round as several of these tall tales are told, each more far-fetched than the last. Writer Jody Houser (Critical Vox Machina Origins II, Stranger Things), artist Hunter Bonyun, and colorist Stephan McGowan bring the Critical Role story to life. Then get an introduction to the world of Neil Gaiman’s Norse Mythology, a new comic series adapted by award-winning comics writer and artist P. Craig Russell (American Gods, Only the End of the World Again) with colors by Lovern Kindzierski (Shame, Necromantic) and letters by Galen Showman (The Graveyard Book, Murder Mysteries).

This comic book offers a fascinating glimpse into the diverse talents of Jody Houser, Neil Gaiman, and P. Craig Russell, all curated to celebrate comics and storytelling. As a collection designed to attract new readers and delight existing fans, it attempts to showcase a variety of styles and narratives. However, while the anthology contains moments of brilliance, overall, it feels somewhat inconsistent.

Jody Houser’s contribution stands out as a well-crafted, engaging story. Known for her skill in character-driven narratives, Houser delivers a piece that’s accessible yet emotionally resonant. Her storytelling is tight, with clear pacing that has kept me personally hooked. Although it doesn’t break new ground, it’s a solid example of her ability to craft compelling stories within the constraints of a short format. Fans of her work will appreciate her contribution, but newcomers might find it a bit familiar, though still enjoyable.

Neil Gaiman’s segment offers a taste of his signature poetic, mythic style. His story leans into the fantastical, blending rich imagery with a touch of whimsy. Gaiman’s lyrical prose elevates the narrative, inviting us as readers into a dreamlike world. However, given the brevity of the story and the abstract nature of his writing, I personally found it at times it somewhat elusive and even lacking in concrete resolution. Still, it captures Gaiman’s essence (mysterious, evocative, and deeply imaginative.) For those familiar with his other works, it’s a pleasant reminder of his unique voice, though it may not fully stand alone as a complete story.

P. Craig Russell’s contribution adds a visual feast to the anthology. Known for his exquisite artwork and adaptations of literary works, Russell’s pages are beautifully rendered, showcasing his mastery of line work and expressive characters. His story, while visually stunning, feels somewhat disconnected from the others, serving more as a showcase of his artistic talent than a narrative-driven piece. It’s a delight for art enthusiasts, but those seeking a cohesive story might find it somewhat superficial.

I Give This Book 3 / 5